Browsing Tag

Dave Gahan

Farewell Fletch

“Martin’s the songwriter, Alan [Wilder]’s the good musician, Dave’s the vocalist and I bum around,” Andy Fletcher on his role in the band, taken from the Depeche Mode concert film 101.

“Depeche Mode’s unique division of labor has been long established, with each of the three remaining members having a distinct role: Martin Gore writes the songs, Dave Gahan sings them and Andy Fletcher shows up for photo shoots and cashes the checks,” Gavin Edwards, wrote in Rolling Stone in 2005. 

That wasn’t entirely true.

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Depeche Mode – “Global Spirit Tour” at the United Center

Again, not so much a review as an observation. I enjoyed this show much more than the last Depeche Mode show I attended. The band sounded better and tighter (although that may have been because of the change of venue – Barclays Center had well-documented acoustics problems back then). Dave Gahan and Martin Gore sounded great, Peter Gordeno did a good job playing the “Alan Wilder” role on keyboards and background vocals and Christian Eigner was solid on drums. Fletch showed off some new dance moves, adding an awkward double Durst to his extensive repertoire (which includes the “Funky Cello” and the “Snack Break”). The band only did four songs off the new album, “Spirit” – the same number of songs they did from 1997’s “Ultra.” That’s too bad, because I actually like some of the songs off the new album, especially show-opener “Going Backwards.”

We’re going backwards
Turning back our history
Going backwards
Piling on the misery

We’re going backwards
Armed with new technology
Going backwards
To a caveman mentality

In fact, “Spirit” is quite political – especially when compared to the band’s last few albums. Maybe Trump, Brexit and everything else going on in the world inspired them. Or maybe it was being co-opted by the alt-right. Either way, it made for a great show!

Well Oiled Machine – A Concert Review of Depeche Mode at the Barclays Center

Concert Review:

Depeche Mode

September 6, 2013

Barclays Center

The reason I didn’t review the latest Depeche Mode album, Delta Machine, is because Stereogum summed it up better than I ever could:

At this point, Depeche Mode are pretty much new-wave synthpop’s Rolling Stones. They have such a deep and unfuckwithable catalog of hits that they could continue touring arenas until their bodies just completely give up. Nobody really needs them to keep recording new music, and yet they keep doing it.

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