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Career Killers: “Adore” by the Smashing Pumpkins

Mike Love may be a good rock ‘n roll heel, but Billy Corgan is an actual heel. The longtime wrestling fan and eventual promoter and on-air authority figure made a conscious decision, from the beginning, to be the bad guy. “In the early years of the Smashing Pumpkins, I saw that I was going to be treated as an outsider,” he told Rolling Stone in 2016. “So rather than play along, which is what you’re supposed to do, I decided to play heel, in wrestling parlance, and have fun with it… I’d rather be that heel than the babyface who goes along to get along.”

He did a great job. Despite his obvious talent (the Pumpkins singer and lead guitarist wrote almost all of the songs and played, pretty much, everything except for drums on the band’s first two albums), Corgan became one of the least likable people in music. He tossed off arrogant quotes to the music press more easily than Ted DiBiase threw his money around to move to the front of the line at an emergency room, close down a public pool or buy himself a championship belt because he was upset he couldn’t win the actual one. He treated his bandmates like employees, hiring and firing them at will or blaming them for breaking up the band when he was always on the one in charge. And he certainly wasn’t humble. “Do I belong in the conversation about the best artists in the world? My answer is yes, I do,” he said to Rolling Stone in 2010.

So like watching the hated heel get his comeuppance, there was quite a bit of schadenfreude in seeing Corgan fail. And with 1998’s Adore, Corgan did so in spectacular fashion, bringing his band’s momentum to a screeching halt and ending its run as one of the biggest and most popular alternative rock bands in the world.

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To Err is Human — And Sometimes Lucrative

As someone who collected baseball cards during the late 80s/early 90s, there were a few players who were always in demand. Mark McGwire and Jose Canseco. Ken Griffey Jr. Bo Jackson. Todd Van Poppel (no, seriously — one of my friends had a 1991 Upper Deck rookie card for the overhyped prospect who ended up with a career record of 40-52 and a 5.58 ERA and we all thought he had won Powerball).

But the guy everyone wanted a piece of was Gregg Jeffries. A can’t miss prospect for the New York Mets, Jeffries was the first player to win the Minor League Player of the Year Award from Baseball America twice (other players to have won the award include Dwight Gooden, Canseco, Frank Thomas, Derek Jeter, Mike Trout and the only other 2x winner: Andruw Jones). With his versatility in the field and undeniable talent at the plate, Jeffries started his pro career in 1987 with a bang and made an instant impact for the defending champion Mets. The hype train went into overdrive and his rookie cards became the hottest thing since Prometheus brought fire to the people.

So when I got the above Donruss card and noticed the coloring error, I thought I had hit the jackpot. Error cards can be extremely rare and valuable, so the fact that I had one for a player in such demand as Jeffries meant I’d never have to work a day in my life, right?

Obviously, things didn’t work out that way (for me or Gregg, who had a fine 14-year career, including some excellent seasons for the St. Louis Cardinals in the mid-90s, but will never be voted into the Hall of Fame). The value of error cards, and baseball cards as a whole, depend on supply and demand. And once it was clear that Jeffries wasn’t the second coming, demand plummeted and everyone moved on to the next can’t miss kid (Jeter, Chipper Jones, A-Rod… there’s always someone).

Error coins are the same way. Whether or not you have a Griffey Jr. or a Jeffries depends on supply and demand. Here are a few of the error coins I’ve collected over the years:

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Career Killers: “Turn It Upside Down” by The Spin Doctors

UPDATE (07/06/2021): Thanks to Todd in the Shadows for citing this review in his latest episode of Trainwreckords.

We may remember the 90s as a turbulent period in music, full of angsty grunge and alternative bands like Nirvana, Pearl Jam, Smashing Pumpkins, Alice in Chains, introspective singer-songwriters like Alanis Morissette, Sheryl Crow, Jewel and Sarah McLachlan, gangsta rappers like Dr. Dre, Snoop Dogg, Biggie and 2Pac and superstars going through ironic and/or cynical stages like U2 and R.E.M.

But not everything was doom-and-gloom. Divas like Mariah Carey, Celine Dion, Whitney Houston, Madonna and Shania Twain sold boatloads of records and dominated the pop and album charts. The 90s also brought us the extremely non-ironic and safe-for-mass-consumption Hootie and the Blowfish, who became a cultural phenomenon when they released Cracked Rear View, one of the best-selling debut albums of all time. The decade also saw 80s stars like Bryan Adams, Aerosmith, Bon Jovi and Sting reach even greater heights. Even the hip hop world found room for decidedly non-gangsta acts like The Fugees, PM Dawn, Will Smith, Arrested Development and OutKast. And of course, by the end of the decade, the biggest-selling artists were bubblegum acts and boybands like NSYNC, the Backstreet Boys and Britney Spears.

Then there were the Spin Doctors.

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Nice Review from the Massachusetts Law Review

Got a nice review for Nixon in New York from the Massachusetts Bar Review. Thanks and glad you enjoyed it!

“Li’s unvarnished look at the man is painstakingly researched and well-crafted. It is also a balanced and sympathetic appraisal of one of the central figures of the 20th century as he worked from an ignominious defeat to the most powerful position in the world. In addition to the political perspective, the inside look at the world of the Wall Street law firm in the 1960s is particularly compelling. Today, in the age of the megafirm, while political discourse is at an all-time low, Li’s story is a solid look at an equally divisive time and an undeniably polarizing figure. There are lessons to be learned.” 

George H.W. Bush (1924-2018) (BOOK EXCERPT)

George H.W. Bush passed away on Friday at the age of 94. The former Representative, UN Ambassador, RNC Chair, China Envoy, CIA Director, Vice President and President owed a lot to President Richard Nixon. After Bush’s unsuccessful 1970 campaign for U.S. Senate, Nixon made sure Bush stayed in the political arena by appointing him UN Ambassador and then RNC Chair. Perhaps Nixon was well-disposed to the future President due to an important, but somewhat understated role that Bush played in Nixon’s 1968 comeback. 

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The Comeback

CBS Sunday Morning ran a story this weekend about Richard Nixon’s 1968 comeback. I thought it was a good piece that summarized what was at stake, both in Nixon’s life and in 1968. It was nice seeing all those video clips and interviews with people like Pat Buchanan and Dwight Chapin – people that were extraordinarily helpful to me when I was writing my book. It helped bring to life what had, otherwise, mainly existed to me in the form of papers, emails, and phone calls.

One thing that disappointed me about that story was that it didn’t mention his law firm career at all. After all, interviewees Buchanan and Chapin were both employed by Nixon Mudge, while campaign manager John Mitchell (mentioned near the end) had come to the firm via merger. Until that happened, Nixon and Mitchell had barely even known one another – indeed, Mitchell had a stronger relationship with Nixon’s longtime rival in the GOP, Nelson Rockefeller.

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It was 50 Years Ago Today.

On November 5, 1968, Richard Nixon completed his remarkable comeback from political oblivion and was elected President of the United States (okay, his victory wasn’t confirmed until early the following morning, but still…).

When I was writing my book, I deliberately aimed for 2018 as a release date since it would mark the 50th anniversary of Nixon’s victory. Indeed, the 50th anniversary had been the main driving point behind the entire project. This book had started out as a proposed Q&A with former Nixon aide and Mudge Rose managing partner Tom Evans to mark the 50th anniversary of his joining the firm in 1963.

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A Fantastic Review from CHOICE

After losing the California governor’s race in 1962, Nixon announced the end of his political career, and he accepted a partnership in a prestigious New York City law firm. He became a valuable rainmaker for the firm, and he used his position to reconstitute his political base with wealthy contributors, a deep and talented campaign staff, and enhanced international experience. This culminated in his victory in the 1968 presidential campaign. The assistant managing editor of the American Bar Association’s trade journal, Li provides an excellent, straightforward narrative of how this transpired. The author places these transformational years within a quick survey of Nixon’s prior political career and a brief overview of his two administrations. The consistency of Nixon’s talents and flaws is evident in each phase of his career. The final chapter treats former colleagues and legal issues of the firm during Nixon’s presidency. The epilogue touches on recent presidential players’ engagements with prestigious law firms. Although this focused and manageable account relies more on interviews and printed sources than on extensive archival research, it deserves consideration in competition with John Farrell’s or Evan Thomas’s recent, massive Nixon biographies.

Summing Up: Highly recommended. General readers; upper-division undergraduates through faculty. — Choice Reviews

Is “The Devil’s Advocate” a Great Legal Film?

At the ABA Journal, our most popular web post of all time is our “Top 25 Greatest Legal Movies” feature from 2008. I haven’t seen the stats, but apparently, it’s number one by a country mile. Kind of like how The Matrix is, far and away, the best movie in its trilogy or how Alec Baldwin is, without question, the most talented actor in his family.

So, to commemorate the 10-year anniversary of our most popular feature of all time, the lead feature of this month’s issue is an updated look at the list of greatest legal movies. Some movies from the last decade to be included are Spotlight, The Post and Marshall, while movies like Legally Blonde, Primal Fear and Michael Clayton made the cut this time after missing out on the original list. Also, some movies from the original list dropped out, including Philadelphia, Presumed Innocent, Chicago, In the Name of the Father, and the Al Pacino tour-de-force And Justice for All.

All of this got me thinking about a different Pacino legal drama. The Devil’s Advocate (1997) may not be remembered as his greatest film (if we’re being honest, it’s probably not even in the top half of his filmography), but it’s a fun, creative take on lawyers, law firms and the legal profession.

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