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Career Killers: “Cyberpunk” by Billy Idol

As we’ve seen, bad concept albums can kill careers and destroy their creators in the time it takes to throw a CD into the garbage, send it to China to be used for road paving or sell it to a used record store for half-pennies on the dollar.

In Billy Idol’s case, it did that and then some. But it also set the stage for an interesting critical re-evaluation. Was 1993’s Cyberpunk, a bloated concept album about machines, technology and consumerism that also happened to be one of the first major studio releases recorded mostly on the computer, packaged with a floppy disk containing bonus content and marketed via the internet actually ahead of its time?

Yes, it was. Without question.

Content wise, Idol’s musings about technology proved to be prescient, while his recording and marketing methods established a blueprint that almost every artist of the mid-to-late 90s and early 00s would copy and emulate, right down to the bonus floppy (although CD and DVD-ROMs predictably replaced the floppy as the technology became more ubiquitous and affordable).

But that doesn’t mean the album is good or deserved to be successful. And it’s certainly no surprise that it ruined Billy Idol’s career.

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Here Comes the Boss! Quick, Hit the Button!

Originally published at: Columbia News Service. (Archived here)

Also published in the Berkshire Eagle – April 29, 2010.

Country music has taught us how to deal with heartbreak, that it’s OK to be on a first-name basis with Jack Daniels and Jim Beam, and that bosses are mean. Johnny Paycheck hated his boss so much that he told him to “Take this job and shove it.” Dolly Parton railed against the drudgery of working “9 to 5” for a boss who was out to get her.

Maybe they would have been happier if they had had the “boss button.”

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