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Miley Cyrus

Career Killers: “Paula” by Robin Thicke.

I wrote a review for Robin Thicke’s Paula when it first came out in 2014. I decided to revisit it for several reasons. 1) I’m lazy, 2) It was obvious, at the time, that this record would tank his career and 3) I see him every week as a judge on The Masked Singer and I can’t decide whether being on a hit show means that his career has recovered from this debacle of an album or if it’s confirmation that his musical career is over and that he’ll just be a reality show judge from here on out. In other words, did his album about one Paula (Patton) have the effect of turning him into another Paula (Abdul)?

In retrospect, “Blurred Lines” wasn’t the start of something great for Robin Thicke. It was the beginning of the end. And Paula ended up being the nail in the coffin.

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Album Review: “Paula” by Robin Thicke

Robin Thicke’s “Paula” is the most interesting album of the year. And it might be one of the most interesting albums of the last decade.

That doesn’t mean it’s good. In fact, the album is extremely repetitive and difficult to listen to. With the subtlety of a jackhammer, Thicke bares his soul in 14 gut-wrenching songs, alternating between pitiful begging (to his soon-to-be-ex-wife, Paula Patton) and “TMI”-level introspection. It’s refreshing to hear an artist drop all pretenses and sing what’s on his or her mind- after all, it’s difficult to accept this as Thicke’s mea culpa unless he’s being open and honest about everything.

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