Browsing Tag

Star Wars

Bye Bye Basti

You’d think that most Manchester United fans would react to the departure of an old over-the-hill midfielder who had made fewer appearances for the club than Mark Bosnich, Luke Chadwick and the immortal Eric Djemba-Djemba (so bad they named him twice) and had yet to play in the Premier League this season with a collective shrug. You’d be wrong.

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Album Review: “Chinese Democracy” by Guns ‘N Roses

Another one of my old favorites from my Livejournal blog. If I could add anything, it would be that the album does NOT get better with age.

I have no idea if Axl Rose is a Star Wars fan.

On the one hand, I would doubt it. After all, Axl doesn’t strike me as the kind of sci-fi nerd that would wait in line for tickets and dress up like Obi-Wan Kenobi at Comic-Con.

On the other hand, the galactic soap opera that is Star Wars could very well have served as an inspiration for some of Guns N’ Roses’ high-concept and utterly confusing videos from their heyday in the early 90’s. “Don’t Cry” showed Axl’s domestic trauma and battle against his inner demons, kind of like Anakin Skywalker’s struggle with the Dark Side and his dysfunctional relationship with his son. “November Rain” showed Axl at his happiest, only to lose everything at the end, kind of like how Anakin seemingly lost everything as he made his transformation into Darth Vader. “Estranged,” uh, showed Axl playing with dolphins. I don’t have a Star Wars parallel for that one. Maybe the Ewoks? Maybe whatever Jar Jar Binks was supposed to be?

Why do I bring up Star Wars? Because, like Chinese Democracy, the Star Wars prequel trilogy took decades to develop and produce, cost untold millions, and generated such ridiculously high expectations upon its release that there was no way the final product could ever live up to the hype. With Chinese Democracy, Axl Rose has finally released his Star Wars prequel trilogy. It only took 14 years, an estimated $13 million (as of 2005), and more band members than we can count (including two separate tenures by guitarist Robin Finck, whose contract expired twice before the album was even close to seeing the light of day).

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