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The Doors

(Legal) Career Killers: The Lovin’ Spoonful, Buffalo Springfield and Pot Busts.

Welcome to (Legal) Career Killers — a series that looks at how the law, lawyers or lawsuits killed a band’s or artist’s careers. In other words: They fought the law and the law won.

It might be hard for anyone who grew up at any point prior to the 2010s to wrap their heads around just how little many police departments, prosecutors, and governments care about marijuana now. As of this writing, cannabis is fully legal in 20 states and the District of Columbia and legal for medical use in 25 more (subject to some restrictions in some states pertaining to dosage or types of products).

That’s a far cry from when marijuana was widely considered a gateway drug to hardcore narcotics, like cocaine, heroin or LSD. “Leading medical researchers are coming to the conclusion that marijuana, pot, grass, whatever you want to call it, is probably the most dangerous drug in the United States,” said Ronald Reagan during his 1980 Presidential campaign. “And we haven’t begun to find out all of the ill-effects, but they are permanent ill-effects.”

During the tumultuous 1960s, marijuana was a staple of the counterculture — especially when it came to the music scene. Of course, that drew the attention of the 5-0, and as two major bands from that era found out, Johnny Law isn’t one that you want to mess with.

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Career Killers: “Cyberpunk” by Billy Idol

As we’ve seen, bad concept albums can kill careers and destroy their creators in the time it takes to throw a CD into the garbage, send it to China to be used for road paving or sell it to a used record store for half-pennies on the dollar.

In Billy Idol’s case, it did that and then some. But it also set the stage for an interesting critical re-evaluation. Was 1993’s Cyberpunk, a bloated concept album about machines, technology and consumerism that also happened to be one of the first major studio releases recorded mostly on the computer, packaged with a floppy disk containing bonus content and marketed via the internet actually ahead of its time?

Yes, it was. Without question.

Content wise, Idol’s musings about technology proved to be prescient, while his recording and marketing methods established a blueprint that almost every artist of the mid-to-late 90s and early 00s would copy and emulate, right down to the bonus floppy (although CD and DVD-ROMs predictably replaced the floppy as the technology became more ubiquitous and affordable).

But that doesn’t mean the album is good or deserved to be successful. And it’s certainly no surprise that it ruined Billy Idol’s career.

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Album Review: “Other Voices” by The Doors

Ray Manzarek, the influential keyboardist and driving force behind The Doors, died on Monday at the age of 74 after a long battle with bile duct cancer. As a tribute to this musical giant, I thought I’d review “Other Voices,” the first Doors album released after lead singer Jim Morrison’s death.

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