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Britney Spears

Career Killers: “Witness” by Katy Perry

It’s strange to think that Katy Perry’s career as a major pop superstar could be over.

Between 2008 and 2016, Perry released three multi-platinum albums and amassed 18 Top 30 singles as a lead artist, including nine #1 hits. Her 2010 album, Teenage Dream, produced a record-tying 5 number one singles (only Michael Jackson’s Bad has managed to match that). She’s been credited with selling 143 million records worldwide, putting her ahead of Bruce Springsteen, Metallica, Lady Gaga, Adele, Britney Spears and many others.

That track record of sustained success should have protected her career from being completely derailed by one flop. And yet, plenty of critics and observers wrote her off after 2017’s Witness, with some even wondering if her decline marked the end of an era in pop music. Perry’s career choices since then have only seemed to confirm that her best days are behind her. In 2018, she went to the place where many music careers go when they’re on life support — the judge’s table at American Idol. Then, she did what a lot of over-the-hill pop stars do when they start to transition to being a nostalgic act: she announced a Las Vegas residency, which is scheduled to begin in December. Meanwhile, her 2020 album, Smile, landed without much fanfare and became her worst-selling record since her 2001 self-titled Christian music debut, when she was still known as Katy Hudson.

So what happened?

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Career Killers: “Results May Vary” by Limp Bizkit

What was the talk of this year’s Lollapalooza festival? Was it the fact that it was the first big rock concert in Chicago since COVID-19 restrictions were lifted? Was it whether the proof of vaccination/negative test requirement for entry would be effective in preventing the show from turning into a super spreader event? (So far, it looks like it has been successful in that regard.)

No. It was Limp Bizkit seemingly replacing frontman Fred Durst with either his dad or an extra from the Beastie Boys’ “Sabotage” video.

Gone was the trademark red Yankees cap. In its place was a thick hat of gray hair that made people wonder whether or not it was a wig. Throw in the long grey handlebar mustache and sunglasses and he looked like he was wearing a disguise — as if he were in witness protection or something.

The consensus: He kind of pulled it off. The other consensus: Limp Bizkit were reasonably well received by attendees and live stream viewers, most of whom probably hadn’t heard of them since “Nookie.” As such, in the days following the show, the band’s back catalog saw a nice spike in sales and steaming numbers. Keep rollin’ rollin’ rollin’, indeed.

Of course, there was a reason why he seemed so unrecognizable. Once reliable hitmakers and a ubiquitous presence on MTV, Limp Bizkit has been long forgotten about and reduced to a punchline — a much maligned footnote from a bygone era when nu metal was so popular, even established superstars like Metallica tried it.

This is the album that started Limp Bizkit’s decline.

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Career Killers: “Turn It Upside Down” by The Spin Doctors

UPDATE (07/06/2021): Thanks to Todd in the Shadows for citing this review in his latest episode of Trainwreckords.

We may remember the 90s as a turbulent period in music, full of angsty grunge and alternative bands like Nirvana, Pearl Jam, Smashing Pumpkins, Alice in Chains, introspective singer-songwriters like Alanis Morissette, Sheryl Crow, Jewel and Sarah McLachlan, gangsta rappers like Dr. Dre, Snoop Dogg, Biggie and 2Pac and superstars going through ironic and/or cynical stages like U2 and R.E.M.

But not everything was doom-and-gloom. Divas like Mariah Carey, Celine Dion, Whitney Houston, Madonna and Shania Twain sold boatloads of records and dominated the pop and album charts. The 90s also brought us the extremely non-ironic and safe-for-mass-consumption Hootie and the Blowfish, who became a cultural phenomenon when they released Cracked Rear View, one of the best-selling debut albums of all time. The decade also saw 80s stars like Bryan Adams, Aerosmith, Bon Jovi and Sting reach even greater heights. Even the hip hop world found room for decidedly non-gangsta acts like The Fugees, PM Dawn, Will Smith, Arrested Development and OutKast. And of course, by the end of the decade, the biggest-selling artists were bubblegum acts and boybands like NSYNC, the Backstreet Boys and Britney Spears.

Then there were the Spin Doctors.

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My Trip to the 2019 ANA World’s Fair of Money – Part I

My first trip to a coin conference did nothing to prepare me for the 2019 World’s Fair of Money. Sponsored by the American Numismatic Association, this year’s event, held at the Donald E. Stephens Convention Center in Rosemont, Ill., boasted auctions, seminars, exhibits of historic rare coins and currency, and a bourse so large that it made the one from the show I went to in Schaumburg back in April look like a garage sale. Indeed, if the Schaumburg show was like Comic-Con, then this show was like being in the Battle of Wakanda scene in Avengers: Infinity War.

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