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Celine Dion

(Legal) Career Killers: Michael Jackson v. Sony and the People of the State of California.

Another kid? I thought it was Groundhog Day when I heard that shit. Another kid. Get the fuck out of here! That’s how much we love Michael. We love Michael so much, we let the first kid slide.

Chris Rock, Never Scared, 2004

In retrospect, it defies belief that Michael Jackson’s career didn’t end after his 1993 child molestation scandal. He was already showing signs of commercial decline and the music scene had changed radically post-Nirvana, making acts like him look passé. And when he paid a then-astronomical $23 million to his accuser to settle a civil lawsuit and ensure his non-cooperation in the related criminal probe, it really should have been the nail in the coffin.

Instead, he weathered the scandal and even found some success during the mid-to-late 90s. HIStory: Past, Present and Future, Book I, his 1995 part-compilation/part-studio album, sold 22 million copies worldwide, and his 1997 remix album, Blood on the Dance Floor, became the best-selling remix album of all time.

But there was no question that his star had faded and that a large portion of the population, particularly in America, considered him to be a tabloid joke at best and a toxic, depraved predator at worst.

Nevertheless, as 2001 hit, he seemed on the verge of major comeback. Thanks to popular bubble gum acts like NSYNC, the Backstreet Boys and Britney Spears paying tribute to him, he was relevant again.

So he took advantage by staging two sold-out 30th anniversary concerts at Madison Square Garden that doubled as his big comeback. On September 7 and 10, 2001, big time pop stars like Usher, Whitney Houston, Marc Anthony, Britney Spears, Liza Minnelli, 98 Degrees, NSYNC, and others paid tribute by singing their versions of MJ’s songs, while Jackson performed with his brothers for the first time since the end of the disastrous Victory Tour in 1984.

He closed both shows with debut performances of “You Rock My World,” the lead single from his upcoming album, Invincible. The shows got mixed reviews (later on, there were rumors he was high during both concerts), but were, otherwise fairly well-received. Indeed, it seems like phase one of his comeback would be successful.

And then everything changed.

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(Legal) Career Killers: R. Kelly and RICO, The Mann Act, Sex Abuse Laws, Child Pornography, Child Sex Trafficking, Forced Labor Laws…

Welcome to (Legal) Career Killers — a series that looks at how the law, lawyers or lawsuits killed a band’s or artist’s careers. In other words: They fought the law and the law won.

Americans love a good comeback story, and until recently, R&B superstar R. Kelly was in the midst of one of the most unlikely yet successful second acts in recent memory.

Accused of filming himself having sex with an underage girl, the hitmaker was acquitted on charges relating to child pornography in 2008. Kelly largely emerged unscathed. The self-proclaimed “King of R&B” subsequently reclaimed his throne, working with A-list singers, touring and receiving multiple Grammy nominations. Although a 2017 investigation published in Buzzfeed accusing the singer, songwriter and producer of holding underage girls captive in a sex cult resulted in some backlash, including streaming services refusing to promote his songs, Kelly kept his record deal, and more important, his freedom. Kelly may not have been able to fly, like he believed in his famous song, but it sure seemed as if he could do almost anything else, including dodge bullets.

But then the documentary Surviving R. Kelly premiered on Lifetime in January 2019. The six-part miniseries investigated the sex cult allegations while revisiting some older accusations against the singer, including those that led to the 2008 trial and his 1994 marriage to protegee Aaliyah, who was then 15 years old. Containing interviews with several former girlfriends, his ex-wife, family members and associates, the documentary succeeded in clipping Kelly’s wings. Days after the premiere, Georgia and Illinois opened criminal investigations and encouraged more victims to come forward. By the next month, Kelly had lost his record deal and been charged by the Cook County state’s attorney in Chicago with sex abuse. In July 2019, he got hit with federal sex abuse charges as well.

“I was so shocked that law enforcement got involved,” Surviving R. Kelly executive producer Tamra Simmons says. “We thought, ‘Maybe the families [of his accusers] could pursue legal action if and when they were reunited with their daughters.’ We knew there were certain laws that he had broken. What we didn’t know was if anyone would do anything about it.”

Victor Li, “Reel Power: Documentaries are shaping public opinion and influencing cases,” ABA Journal, August-September 2020

Turns out, this time there were quite a few members of law enforcement who were willing to do something about it. As such, the only performances R. Kelly has to worry about for the next 20-30 years will be at his federal prison’s talent show — provided they have them.

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Career Killers: “Garth Brooks In… The Life of Chris Gaines”

The year is 1999 and Garth Brooks seems bored.

The best-selling male artist of the 90s (only Celine Dion and Mariah Carey outsold him during that decade), Brooks has seemingly figured out the formula for enduring commercial success. All he has to do is come up with 10 songs or so, pose for the album cover in his best Stetson, put on an entertaining live show and watch the money pour in. Indeed, every one of his proper studio albums has gone Diamond up to that point, and the only one that fell short was a lightly-promoted Christmas album that came out in the summer of 1992 and eventually became a staple of the cutout bin. Of course, this being Garth Brooks, that record still managed to go triple platinum and is one of the best-selling Christmas albums of all time.

Most artists would have sold their souls to have experienced a fraction of the success that had become routine for Brooks. Certainly most artists would have been perfectly content to run that formula into the ground in order to keep that conveyor belt going for as long as possible. But Brooks seemed eager for a new challenge. He talked about retiring so that he could raise his children. He signed a minor league deal and played in spring training for the San Diego Padres.

And in September 1999, he made the decision to cross over into pop-rock. Kind of. It’s still really confusing — even 22 years later.

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