Browsing Tag

O.J. Simpson

(Legal) Career Killers: R. Kelly and RICO, The Mann Act, Sex Abuse Laws, Child Pornography, Child Sex Trafficking, Forced Labor Laws…

Welcome to (Legal) Career Killers — a series that looks at how the law, lawyers or lawsuits killed a band’s or artist’s careers. In other words: They fought the law and the law won.

Americans love a good comeback story, and until recently, R&B superstar R. Kelly was in the midst of one of the most unlikely yet successful second acts in recent memory.

Accused of filming himself having sex with an underage girl, the hitmaker was acquitted on charges relating to child pornography in 2008. Kelly largely emerged unscathed. The self-proclaimed “King of R&B” subsequently reclaimed his throne, working with A-list singers, touring and receiving multiple Grammy nominations. Although a 2017 investigation published in Buzzfeed accusing the singer, songwriter and producer of holding underage girls captive in a sex cult resulted in some backlash, including streaming services refusing to promote his songs, Kelly kept his record deal, and more important, his freedom. Kelly may not have been able to fly, like he believed in his famous song, but it sure seemed as if he could do almost anything else, including dodge bullets.

But then the documentary Surviving R. Kelly premiered on Lifetime in January 2019. The six-part miniseries investigated the sex cult allegations while revisiting some older accusations against the singer, including those that led to the 2008 trial and his 1994 marriage to protegee Aaliyah, who was then 15 years old. Containing interviews with several former girlfriends, his ex-wife, family members and associates, the documentary succeeded in clipping Kelly’s wings. Days after the premiere, Georgia and Illinois opened criminal investigations and encouraged more victims to come forward. By the next month, Kelly had lost his record deal and been charged by the Cook County state’s attorney in Chicago with sex abuse. In July 2019, he got hit with federal sex abuse charges as well.

“I was so shocked that law enforcement got involved,” Surviving R. Kelly executive producer Tamra Simmons says. “We thought, ‘Maybe the families [of his accusers] could pursue legal action if and when they were reunited with their daughters.’ We knew there were certain laws that he had broken. What we didn’t know was if anyone would do anything about it.”

Victor Li, “Reel Power: Documentaries are shaping public opinion and influencing cases,” ABA Journal, August-September 2020

Turns out, this time there were quite a few members of law enforcement who were willing to do something about it. As such, the only performances R. Kelly has to worry about for the next 20-30 years will be at his federal prison’s talent show — provided they have them.

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Career Killers: The Super Bowl Halftime Show

If you go by the Nielsen ratings (which measures households), 19 of the 30 highest-rated programs in United States history are Super Bowls. If you look at average viewership, then the big game accounts for 28 of the top 30.

Either way you slice it, the Super Bowl is a proven ratings draw that provides a massive stage for players, performers and ad buyers.

As such, it’s no wonder that the Super Bowl halftime performance slot has become a highly sought-after gig for many musical acts.

When done right, the show can transcend the game and become an indelible part of the zeitgeist. In 2002, for instance, U2 gave a moving performance memorializing the people who lost their lives in the September 11 attacks and helped provide a moment of healing for a nation still in mourning. Prince, Bruce Springsteen, Tom Petty, Madonna and Beyoncé reaffirmed their status as superstars while younger contemporaries like Lady Gaga, Katy Perry and Bruno Mars made a case for themselves to join their ranks.

When done wrong, however, the show can kill off an artist’s career. After all, it’s one thing to have a bad night, but to do so with the whole world watching?

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Album Review: “Chinese Democracy” by Guns ‘N Roses

Another one of my old favorites from my Livejournal blog. If I could add anything, it would be that the album does NOT get better with age.

I have no idea if Axl Rose is a Star Wars fan.

On the one hand, I would doubt it. After all, Axl doesn’t strike me as the kind of sci-fi nerd that would wait in line for tickets and dress up like Obi-Wan Kenobi at Comic-Con.

On the other hand, the galactic soap opera that is Star Wars could very well have served as an inspiration for some of Guns N’ Roses’ high-concept and utterly confusing videos from their heyday in the early 90’s. “Don’t Cry” showed Axl’s domestic trauma and battle against his inner demons, kind of like Anakin Skywalker’s struggle with the Dark Side and his dysfunctional relationship with his son. “November Rain” showed Axl at his happiest, only to lose everything at the end, kind of like how Anakin seemingly lost everything as he made his transformation into Darth Vader. “Estranged,” uh, showed Axl playing with dolphins. I don’t have a Star Wars parallel for that one. Maybe the Ewoks? Maybe whatever Jar Jar Binks was supposed to be?

Why do I bring up Star Wars? Because, like Chinese Democracy, the Star Wars prequel trilogy took decades to develop and produce, cost untold millions, and generated such ridiculously high expectations upon its release that there was no way the final product could ever live up to the hype. With Chinese Democracy, Axl Rose has finally released his Star Wars prequel trilogy. It only took 14 years, an estimated $13 million (as of 2005), and more band members than we can count (including two separate tenures by guitarist Robin Finck, whose contract expired twice before the album was even close to seeing the light of day).

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