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Vanilla Ice

(Legal) Career Killers: “Alone Again” by Biz Markie

Welcome to (Legal) Career Killers — a series that looks at how the law, lawyers or lawsuits killed a band’s or artist’s careers. In other words: They fought the law and the law won.

I wrote an ABA Journal cover story in 2019 looking at songs that changed the law. The issue of sampling has become an important one when it comes to copyright law. A major reason why was because of two 1991 cases. I spotlighted the first: a lawsuit filed by members of 60s era band The Turtles against hip hop group De La Soul. I decided to take a look at the second one, which involves the recently deceased rapper Biz Markie.

When the Diabolical Biz Markie died in July 2021, many publications made sure to emphasize that he was more than just a one hit wonder. Widely known for his big personality and sense of humor, the “Clown Prince of Hip Hop” (he once recorded a song about picking his nose called “Pickin’ Boogers” – either that or “Weird Al” Yankovic’s “Gotta Boogie,” is the best song ever written about nose doo-doo) was a highly influential rapper who was beloved in hip hop circles and by his fans.

But the fact remains that most people only knew him by his big hit, 1989’s “Just a Friend.” A major reason why he never had another was because of a lawsuit that helped set a precedent in the then-grey area of sampling.

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Career Killers: “Take My Breath Away,” by Berlin

With Top Gun: Maverick flying up to the top of the box office charts, I figured it was worth looking at the first movie — specifically, the iconic song that everyone associates with it (besides “You’ve Lost That Lovin’ Feeling,” and “Danger Zone” of course).

As we’ve established, sometimes blockbuster hits can tear a band apart. For instance, a smash album featuring several massive singles wasn’t enough to keep the The Police from succumbing to years of public and private in-fighting. The Verve imploded right after releasing its best and most popular album, 1997’s Urban Hymns. “Mr. Roboto” gave Styx one of its biggest hit singles, but the song (and resulting concept album) tore the band apart to the point that when members reunited years later (sans the guy who wrote the song and most of the album in question), they refused to play it in concert for years.

In a similar vein, “Take My Breath Away” was a smash hit, topping the singles charts in the U.S., U.K., Netherlands, Ireland and Belgium and winning an Academy Award for Best Original Song in 1986 (beating other iconic songs like “Somewhere Out There” and “Glory of Love“). And it led to the breakup of the band credited with recording it: Berlin.

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Career Killers: “Face the Music” by NKOTB

Welcome to “Career Killers” – a look at albums that were so bad, ill-conceived, or disastrous that they took down (or irreparably damaged) the artist or band that recorded them. So here’s the first entry. Let’s see how long I stick with this.

In the early 90s, faced with changing musical tastes, overexposure, an intense critical backlash, and its own fans growing out of bubblegum pop, New Kids on the Block decided it needed to change. Out went the name (they started going by more adult sounding “NKOTB”) as well as its longtime association with boyband Svengali Maurice Starr. Most importantly, it was time for a new sound. For its fourth studio album, 1994’s Face the Music, the band, which was created as a successor group to New Edition, would instead adopt the New Jack swing and hip-hop stylings of its spinoff group, Bell Biv Devoe.

It was not successful.

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Blast from the Past: Return of the Concept Album

Originally posted at: Columbia News Service. (Archived here)

Once upon a time, concept albums were hip. It was a long time ago, back when the shower curtain wasn’t the only piece of vinyl in your house, and the only CDs were the ones issued by banks. If you were bored of singing the standard pop ditties about love, cars and having fun, then concept albums were the way to go. Artists like Pink Floyd, the Who and David Bowie wrote about serious issues like war, madness and consumerism and elevated themselves as artists.

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