Browsing Tag

Whitney Houston

(Legal) Career Killers: R. Kelly and RICO, The Mann Act, Sex Abuse Laws, Child Pornography, Child Sex Trafficking, Forced Labor Laws…

Welcome to (Legal) Career Killers — a series that looks at how the law, lawyers or lawsuits killed a band’s or artist’s careers. In other words: They fought the law and the law won.

Americans love a good comeback story, and until recently, R&B superstar R. Kelly was in the midst of one of the most unlikely yet successful second acts in recent memory.

Accused of filming himself having sex with an underage girl, the hitmaker was acquitted on charges relating to child pornography in 2008. Kelly largely emerged unscathed. The self-proclaimed “King of R&B” subsequently reclaimed his throne, working with A-list singers, touring and receiving multiple Grammy nominations. Although a 2017 investigation published in Buzzfeed accusing the singer, songwriter and producer of holding underage girls captive in a sex cult resulted in some backlash, including streaming services refusing to promote his songs, Kelly kept his record deal, and more important, his freedom. Kelly may not have been able to fly, like he believed in his famous song, but it sure seemed as if he could do almost anything else, including dodge bullets.

But then the documentary Surviving R. Kelly premiered on Lifetime in January 2019. The six-part miniseries investigated the sex cult allegations while revisiting some older accusations against the singer, including those that led to the 2008 trial and his 1994 marriage to protegee Aaliyah, who was then 15 years old. Containing interviews with several former girlfriends, his ex-wife, family members and associates, the documentary succeeded in clipping Kelly’s wings. Days after the premiere, Georgia and Illinois opened criminal investigations and encouraged more victims to come forward. By the next month, Kelly had lost his record deal and been charged by the Cook County state’s attorney in Chicago with sex abuse. In July 2019, he got hit with federal sex abuse charges as well.

“I was so shocked that law enforcement got involved,” Surviving R. Kelly executive producer Tamra Simmons says. “We thought, ‘Maybe the families [of his accusers] could pursue legal action if and when they were reunited with their daughters.’ We knew there were certain laws that he had broken. What we didn’t know was if anyone would do anything about it.”

Victor Li, “Reel Power: Documentaries are shaping public opinion and influencing cases,” ABA Journal, August-September 2020

Turns out, this time there were quite a few members of law enforcement who were willing to do something about it. As such, the only performances R. Kelly has to worry about for the next 20-30 years will be at his federal prison’s talent show — provided they have them.

(more…)

Career Killers: “Turn It Upside Down” by The Spin Doctors

UPDATE (07/06/2021): Thanks to Todd in the Shadows for citing this review in his latest episode of Trainwreckords.

We may remember the 90s as a turbulent period in music, full of angsty grunge and alternative bands like Nirvana, Pearl Jam, Smashing Pumpkins, Alice in Chains, introspective singer-songwriters like Alanis Morissette, Sheryl Crow, Jewel and Sarah McLachlan, gangsta rappers like Dr. Dre, Snoop Dogg, Biggie and 2Pac and superstars going through ironic and/or cynical stages like U2 and R.E.M.

But not everything was doom-and-gloom. Divas like Mariah Carey, Celine Dion, Whitney Houston, Madonna and Shania Twain sold boatloads of records and dominated the pop and album charts. The 90s also brought us the extremely non-ironic and safe-for-mass-consumption Hootie and the Blowfish, who became a cultural phenomenon when they released Cracked Rear View, one of the best-selling debut albums of all time. The decade also saw 80s stars like Bryan Adams, Aerosmith, Bon Jovi and Sting reach even greater heights. Even the hip hop world found room for decidedly non-gangsta acts like The Fugees, PM Dawn, Will Smith, Arrested Development and OutKast. And of course, by the end of the decade, the biggest-selling artists were bubblegum acts and boybands like NSYNC, the Backstreet Boys and Britney Spears.

Then there were the Spin Doctors.

(more…)

Career Killers: “Soul Dancing” by Taylor Dayne

It’s easy to forget, but at one point, Taylor Dayne was one of the biggest pop stars in the world.

The original Tay-Tay (you know, unless you count John Taylor, Mick Taylor, Roger Taylor of Queen, Roger Taylor of Duran Duran, or James Taylor) was a juggernaut from the moment she burst onto the scene in 1987, starting her career with nine consecutive Billboard Top 20 hits. In fact, each of her first seven singles hit the Top 10, including “Love Will Lead You Back,” which went to #1. She also charted well in Canada, Australia and the U.K., while several of her singles were big hits on the Billboard Dance charts. With her deep, soulful voice and dynamic range, she could seamlessly excel at a wide range of songs, including pop, R&B and ballads. In doing so, she amassed a large and devoted fan base — one that continues to support her to this day.

As the 90s got underway, it was clear that Taylor Dayne was a hit machine and pop star. What wasn’t clear, however, was whether she was an artist. Like her label-mate, Whitney Houston, Dayne’s first two albums were made up of songs from outside writers and handpicked by Arista boss Clive Davis for maximum commercial impact. For her third album, 1993’s Soul Dancing, Dayne was determined to prove she had the songwriting chops to go with her vocal and chart topping prowess.

It turns out that she did not.

(more…)

The Reluctant Pop Star

“There is no such thing as a reluctant star. Stars are almost always people that want to make up for their own weaknesses by being loved by the public and I’m no exception to that.” — George Michael, 1987.

But there is such a thing as a reluctant pop star. George Michael was no different from the many singer-songwriters desperate for critical acclaim and credibility. What made him unique was that he was willing to throw away his chance at being the biggest pop star and sex symbol in the world because he believed that his songs were good enough to sell themselves.

And in most cases, he was right.

(more…)