Barber Coins: Were They Really ‘Beneath Contempt’?

When an 1891 contest to determine new designs for the dime, quarter and half-dollar went bust, it played right into Charles Barber’s hands. The Chief Engraver for the U.S. Mint had wanted to design the coins himself, and when the contest failed to yield any worthy designs, he got his wish.

Unfortunately for Barber, his victory would prove to be Pyrrhic. Be careful what you wish for.

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Career Killers: “Summer in Paradise” by the Beach Boys

To borrow a pro wrestling term, Mike Love has long been one of the best heels in rock ‘n roll.

Widely hated by critics, fans, media, liberals and even fellow Beach Boys (actual headline from Vice.com: “Mike Love is Kind of an Asshole”), Love is so despised that it’s arguably more rock ‘n roll to defend him rather than pile on with his many detractors. Indeed, if anyone could have an entire arena full of people chant “asshole” at him a la Vince McMahon or Roman Reigns, it’s Mike Love. A relentless self-aggrandizing self-promoter, the only thing you can say about him is that he’s not dripping with phoniness or fake sincerity like Brother Love.

In fact, like the best heels, he believes he’s justified in behaving the way he does — especially in his eternal quest for the credit he feels he deserves for the band’s success. Brian Wilson may have been the creative genius behind the band, but Love will argue that he should get as much, if not more credit than the erratic Wilson for keeping the band going and co-writing some of their best known songs. Whether it’s suing Wilson for royalties in court many times; inflating his role in the band’s great moments and minimizing his role in the less successful ones (sometimes doing both on the same thing – like criticizing Pet Sounds or Smile when they seemed like they’d be failures and then taking credit for both when they became acclaimed); or going Vince McMahon and firing Wilson and Al Jardine from the band in 2012 after what was otherwise a successful reunion tour, Love gets very little of his namesake emotion from critics, commentators and even fans of the Beach Boys. Heck, he once used the staid and formal atmosphere of the Rock & Roll Hall of Fame induction ceremony to deliver a WWE-style promo talking trash about a bunch of bands and musicians that, until then, probably had nothing but respect for his band and everything it has accomplished.

And much like how WWE treats certain non-PG segments from the past like they never happened, that’s how the band views the Love-led 1992 album Summer in Paradise. I guess that’s understandable, considering Summer in Paradise ended the band as a creative force and turned it into a full-time touring/oldies act.

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We Are The Champions!

Very proud to win several Azbee Awards of Excellence from the American Society of Business Publication Editors this year. I think this might have been my biggest haul yet.

Career Killers: “Calling All Stations” by Genesis

In honor of Genesis’s recently announced reunion tour, let’s take a look at the band’s most recent (and in all likelihood, final) studio album, 1997’s Calling All Stations — an epic flop that broke up the band and is considered to be the red-headed stepchild of its discography. In other words, it’s no son, it’s no son of theirs. (Sorry. That’s the last pun, I promise. That’s all.)

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The Long Goodbye

“The photograph reflects. Every streetlight a reminder.” — “Nightswimming,” R.E.M.

“These wheels keep turning but they’re running out of steam. Keep me in your heart for a while.” — “Keep Me In Your Heart,” Warren Zevon

These are some of the last photographs I took of Bernie. Looking back, I can’t help but wonder if he was saying a long goodbye by doing certain things one last time.

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Career Killers: “Nathan Michael Shawn Wanya” by Boyz II Men

We’ve seen how splitting from hit-making songwriters or producers in an ill-fated bid for creative control can kill an artist’s or band’s careers. We’ve seen how record label politics can kill an artist’s or band’s careers. We’ve seen how failed musical makeovers in the face of changing times can kill an artist’s or band’s careers. We’ve seen how deteriorating personal relationships can fester and kill an artist’s or band’s careers.

What happens when all of those things happen at once? You get Boyz II Men.

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Career Killers: “Turn It Upside Down” by The Spin Doctors

UPDATE (07/06/2021): Thanks to Todd in the Shadows for citing this review in his latest episode of Trainwreckords.

We may remember the 90s as a turbulent period in music, full of angsty grunge and alternative bands like Nirvana, Pearl Jam, Smashing Pumpkins, Alice in Chains, introspective singer-songwriters like Alanis Morissette, Sheryl Crow, Jewel and Sarah McLachlan, gangsta rappers like Dr. Dre, Snoop Dogg, Biggie and 2Pac and superstars going through ironic and/or cynical stages like U2 and R.E.M.

But not everything was doom-and-gloom. Divas like Mariah Carey, Celine Dion, Whitney Houston, Madonna and Shania Twain sold boatloads of records and dominated the pop and album charts. The 90s also brought us the extremely non-ironic and safe-for-mass-consumption Hootie and the Blowfish, who became a cultural phenomenon when they released Cracked Rear View, one of the best-selling debut albums of all time. The decade also saw 80s stars like Bryan Adams, Aerosmith, Bon Jovi and Sting reach even greater heights. Even the hip hop world found room for decidedly non-gangsta acts like The Fugees, PM Dawn, Will Smith, Arrested Development and OutKast. And of course, by the end of the decade, the biggest-selling artists were bubblegum acts and boybands like NSYNC, the Backstreet Boys and Britney Spears.

Then there were the Spin Doctors.

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The Finger of Destiny

What will you do when the finger of Destiny points at you?

For us, we decided to adopt her. Maybe it was destiny (pun intended) that she came to us. She arrived in Chicago the same week that Bernie passed. And she joined us right as we were about to embark on a particularly difficult period without him and helped us through it.

Plus, she’s been such a sweetheart that we just couldn’t let her go. She took to us from the moment she arrived home, and we definitely fell for her. Looks like we’ve failed as foster parents.

However, we just couldn’t abide by her name. So from henceforth, she will be known as Dessie Lisa Vito. First of her name. Queen of all she surveys. Barker at other dogs. Killer of rodents. Conquerer of bed space.

Welcome to the family, Dessie. Thank you for helping heal our broken hearts. Now if you’d only stop trying to kill all those possums.

George Washington Colonial Coins (UPDATED)

This won’t be one of my normal Coin Blog posts. I wanted to show off these coins but didn’t have too much to add that hasn’t already been written by others.

Anyway, I really like these George Washington colonial coins and I’m glad I made the investment in them. Understandably, Washington was a rock star after the successful conclusion of the Revolutionary War, and there was a huge demand for merchandise bearing his image — think Notorious RBG (R.I.P.) but for the 18th and 19th centuries.

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Jack Bauer’s Greatest Hits (UPDATED)

Originally published in 2010 prior to the end of 24‘s original broadcast run. Updated to include 2014’s 24: Live Another Day, as well as some additional content.

“Nice work, Jack. Have you noticed that there’s always a body count wherever you go?” — George Mason

“He said you were a born killer. Is that true?” — Jonathan Wallace

During his time on 24, Jack Bauer killed a lot of people. Main characters. Supporting characters. Featured stars. Unnamed Extras. You name it, Jack has probably killed it. As such, it was very difficult to narrow down the list of Jack’s greatest moments. And let’s face it. He also had plenty of badass moments where he didn’t kill anyone – instead relying on his wit, charm, resourcefulness, and powers of persuasion.

So, in honor of one of my favorite shows, I give you “Jack Bauer’s Greatest Hits” (A/K/A “The Moments that Made Amnesty International Cringe”).

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Career Killers: “Yes Please!” by The Happy Mondays

When it comes to movies, there are box office bombs and then there’s Heaven’s Gate.

The 1980 western epic went massively over-budget thanks to a disastrous and well-publicized troubled production and received infamously bad reviews upon release. The film ended up being such a box office bomb that it single-handedly killed director Michael Cimino’s Hollywood career and star Kris Kristofferson’s potential as a leading man (one particularly brutal review from Vincent Canby of The New York Times wondered if Cimino had made a deal with the devil to produce his last movie, Oscar-winning classic The Deer Hunter, and now the bill had come due).

And that was just the beginning. According to the documentary Final Cut: The Making and Unmaking of Heaven’s Gate, the movie may have also killed off United Artists, the studio that produced it. Shortly after writing off the film’s entire $44 million budget (equivalent to nearly $140 million in today’s money), UA was sold to MGM and ceased being an independent studio. The movie may have even killed the era of the all-powerful director, as runaway disasters like Heaven’s Gate, Apocalypse Now, At Long Last Love and others caused studios to step in and start asserting control.

By those standards, Yes Please! by the Happy Mondays is the Heaven’s Gate of albums.

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