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To borrow a pro wrestling term, Mike Love has long been one of the best heels in rock ‘n roll.

Widely hated by critics, fans, media, liberals and even fellow Beach Boys (actual headline from Vice.com: “Mike Love is Kind of an Asshole”), Love is so despised that it’s arguably more rock ‘n roll to defend him rather than pile on with his many detractors. Indeed, if anyone could have an entire arena full of people chant “asshole” at him a la Vince McMahon or Roman Reigns, it’s Mike Love. A relentless self-aggrandizing self-promoter, the only thing you can say about him is that he’s not dripping with phoniness or fake sincerity like Brother Love.

In fact, like the best heels, he believes he’s justified in behaving the way he does — especially in his eternal quest for the credit he feels he deserves for the band’s success. Brian Wilson may have been the creative genius behind the band, but Love will argue that he should get as much, if not more credit than the erratic Wilson for keeping the band going and co-writing some of their best known songs. Whether it’s suing Wilson for royalties in court many times; inflating his role in the band’s great moments and minimizing his role in the less successful ones (sometimes doing both on the same thing – like criticizing Pet Sounds or Smile when they seemed like they’d be failures and then taking credit for both when they became acclaimed); or going Vince McMahon and firing Wilson and Al Jardine from the band in 2012 after what was otherwise a successful reunion tour, Love gets very little of his namesake emotion from critics, commentators and even fans of the Beach Boys. Heck, he once used the staid and formal atmosphere of the Rock & Roll Hall of Fame induction ceremony to deliver a WWE-style promo talking trash about a bunch of bands and musicians that, until then, probably had nothing but respect for his band and everything it has accomplished.

And much like how WWE treats certain non-PG segments from the past like they never happened, that’s how the band views the Love-led 1992 album Summer in Paradise. I guess that’s understandable, considering Summer in Paradise ended the band as a creative force and turned it into a full-time touring/oldies act.