Browsing Tag

John Fogerty

Career Killers: “Alone Again” by Biz Markie

A bit of a departure for me on this one. I wrote an ABA Journal cover story in 2019 looking at songs that changed the law. The issue of sampling has become an important one when it comes to copyright law. A major reason why was because of two 1991 cases. I spotlighted the first: a lawsuit filed by members of 60s era band The Turtles against hip hop group De La Soul. I decided to take a look at the second one, which involves the recently deceased rapper Biz Markie.

When the Diabolical Biz Markie died in July, many publications made sure to emphasize that he was more than just a one hit wonder. Widely known for his big personality and sense of humor, the “Clown Prince of Hip Hop” (he once recorded a song about picking his nose called “Pickin’ Boogers” – either that or “Weird Al” Yankovic’s “Gotta Boogie,” is the best songs ever written about nose doo-doo) was a highly influential rapper who was beloved in hip hop circles and by his fans.

But the fact remains that most people only knew him by his big hit, 1989’s “Just a Friend.” A major reason why he never had another was because of a lawsuit that helped set a precedent in the then-grey area of sampling.

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Career Killers: “On Every Street” by Dire Straits

There are two types of “one man bands” in rock music. There are literal examples like Nine Inch Nails, World Party or Five For Fighting, which each consist of one permanent member and are, essentially, solo vehicles in all but name. Foo Fighters started out as a one man band before Dave Grohl decided to make it into an actual group.

Then there are the bands where one member does, virtually, all of the work. John Fogerty was the primary songwriter, lead singer and lead guitarist for Creedence Clearwater Revival. Same with Kurt Cobain for Nirvana, Billy Corgan for Smashing Pumpkins and Syd Barrett for Pink Floyd. Meanwhile, The Cure’s Robert Smith sings, writes, plays guitar, bass, keyboards and other instruments, produces the albums, and decides who will stand with him on stage. Usually what happens is either the other members of the band get fed up and quit or the person in charge realizes he or she doesn’t need the others and goes solo.

For Dire Straits, both of those things happened.

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Career Killers: “The Final Cut” by Pink Floyd

When we think of the most accomplished and popular rock bands, they tend to have one or two people in charge – usually the songwriters. Glenn Frey called it “song power” and used it to explain the power dynamics in The Eagles:

“A rock band is not a perfect democracy. It’s more like a sports team. No one can do anything without the other guys, but everybody doesn’t get to touch the ball all the time.”

Glenn Frey, History of the Eagles.

History tells us that, at some point, the other guys in the band will often get fed up with being in the background and either leave the band or raise such a stink that they get some concessions. Stu Cook and Doug Clifford forced John Fogerty to let them write songs for a Creedence Clearwater Revival album with disastrous results. Jason Newsted quit Metallica. Alan Wilder left Depeche Mode while Dave Gahan threatened to unless he was allowed to write songs for the band’s albums. As for the Eagles, Frey and Don Henley may have been happy in their roles as was benevolent dictators, but others in the band, particularly Don Felder and Joe Walsh, resented being underlings and this underlying tension was one of the main reasons why the band broke up.

Pink Floyd was no different, and when things finally came to a head in the early 1980s, it touched off years of litigation, decades of inconsistent artistic output from all parties involved, and sustained personal enmity and hatred that not even the promise of a triumphant one-off reunion at the biggest charity concert of the 2000s could fully fix.

This is the album that started all of that.

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Album Review: “Odyssey” by Take That

Kudos to Take That for trying something (a little) different.

To commemorate its 30th anniversary as a band, Take That decided to run the old “greatest hits + tour” play that has served many top artists and bands well over the years. Recognizing that their fans didn’t want (yet) another greatest hits collection, England’s premiere man-band decided to put a different spin on the old anthology game.

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9th Circuit Strikes Copyright Suit Against Madonna

Harry Potter, Hawaii Five-0
Alito teased Biden, Joe.
John Fogerty, CCR,
That suit went very far.
Robert Plant, Jimmy Page
Sued over “Stairway,” despite its age.
Robin Thicke and “Blurred Lines.”
Did Harrison copy “He’s So Fine?”
They had lawyers, they had fight
Accused of violating copyright.
Matrix, Seinfeld, New Girl too.
Don’t forget the 2 Live Crew.
Plaintiffs filing lots of suits,
Defendants argue they are moot
Don’t just stand there, let’s get to it
Strike a pose, there’s nothing to it,
Vogue.

Yeah. That lede got rejected. Oh well. I thought it was clever.

Madonna prevails in plagiarism lawsuit.