Browsing Tag

Robin Thicke

Career Killers: “Alone Again” by Biz Markie

A bit of a departure for me on this one. I wrote an ABA Journal cover story in 2019 looking at songs that changed the law. The issue of sampling has become an important one when it comes to copyright law. A major reason why was because of two 1991 cases. I spotlighted the first: a lawsuit filed by members of 60s era band The Turtles against hip hop group De La Soul. I decided to take a look at the second one, which involves the recently deceased rapper Biz Markie.

When the Diabolical Biz Markie died in July, many publications made sure to emphasize that he was more than just a one hit wonder. Widely known for his big personality and sense of humor, the “Clown Prince of Hip Hop” (he once recorded a song about picking his nose called “Pickin’ Boogers” – either that or “Weird Al” Yankovic’s “Gotta Boogie,” is the best songs ever written about nose doo-doo) was a highly influential rapper who was beloved in hip hop circles and by his fans.

But the fact remains that most people only knew him by his big hit, 1989’s “Just a Friend.” A major reason why he never had another was because of a lawsuit that helped set a precedent in the then-grey area of sampling.

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Career Killers: “Paula” by Robin Thicke.

I wrote a review for Robin Thicke’s Paula when it first came out in 2014. I decided to revisit it for several reasons. 1) I’m lazy, 2) It was obvious, at the time, that this record would tank his career and 3) I see him every week as a judge on The Masked Singer and I can’t decide whether being on a hit show means that his career has recovered from this debacle of an album or if it’s confirmation that his musical career is over and that he’ll just be a reality show judge from here on out. In other words, did his album about one Paula (Patton) have the effect of turning him into another Paula (Abdul)?

In retrospect, “Blurred Lines” wasn’t the start of something great for Robin Thicke. It was the beginning of the end. And Paula ended up being the nail in the coffin.

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Album Review: “Wonderland” by Take That.

I love Take That.

Not as much as my wife loves them. And definitely not as much as James Corden loves them. But I’m definitely a “Thatter.”

That being said, I had a feeling the band’s latest album, Wonderland was going to suck. Lead single “Giants” did nothing for me (although the parts where they sing “We are giants!” made me laugh – it reminded me of the scene in “Buffy the Vampire Slayer” where the evil nerd trio imagine themselves as Gods), and the few songs I had heard in advance of Wonderland’s release didn’t fill me with a whole lot of optimism. The band has seemed to be on downward trajectory ever since the end of the “Progress” tour, what with Robbie Williams’s decision to re-start his solo career and Jason Orange’s decision to take his dancing shoes home. 2014’s III had a few good songs on it, but the other songs on the album, to say nothing of sales, were lackluster.

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9th Circuit Strikes Copyright Suit Against Madonna

Harry Potter, Hawaii Five-0
Alito teased Biden, Joe.
John Fogerty, CCR,
That suit went very far.
Robert Plant, Jimmy Page
Sued over “Stairway,” despite its age.
Robin Thicke and “Blurred Lines.”
Did Harrison copy “He’s So Fine?”
They had lawyers, they had fight
Accused of violating copyright.
Matrix, Seinfeld, New Girl too.
Don’t forget the 2 Live Crew.
Plaintiffs filing lots of suits,
Defendants argue they are moot
Don’t just stand there, let’s get to it
Strike a pose, there’s nothing to it,
Vogue.

Yeah. That lede got rejected. Oh well. I thought it was clever.

Madonna prevails in plagiarism lawsuit.

Album Review: “Paula” by Robin Thicke

Robin Thicke’s “Paula” is the most interesting album of the year. And it might be one of the most interesting albums of the last decade.

That doesn’t mean it’s good. In fact, the album is extremely repetitive and difficult to listen to. With the subtlety of a jackhammer, Thicke bares his soul in 14 gut-wrenching songs, alternating between pitiful begging (to his soon-to-be-ex-wife, Paula Patton) and “TMI”-level introspection. It’s refreshing to hear an artist drop all pretenses and sing what’s on his or her mind- after all, it’s difficult to accept this as Thicke’s mea culpa unless he’s being open and honest about everything.

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