Browsing Tag

Shania Twain

Career Killers: “Turn It Upside Down” by The Spin Doctors

UPDATE (07/06/2021): Thanks to Todd in the Shadows for citing this review in his latest episode of Trainwreckords.

We may remember the 90s as a turbulent period in music, full of angsty grunge and alternative bands like Nirvana, Pearl Jam, Smashing Pumpkins, Alice in Chains, introspective singer-songwriters like Alanis Morissette, Sheryl Crow, Jewel and Sarah McLachlan, gangsta rappers like Dr. Dre, Snoop Dogg, Biggie and 2Pac and superstars going through ironic and/or cynical stages like U2 and R.E.M.

But not everything was doom-and-gloom. Divas like Mariah Carey, Celine Dion, Whitney Houston, Madonna and Shania Twain sold boatloads of records and dominated the pop and album charts. The 90s also brought us the extremely non-ironic and safe-for-mass-consumption Hootie and the Blowfish, who became a cultural phenomenon when they released Cracked Rear View, one of the best-selling debut albums of all time. The decade also saw 80s stars like Bryan Adams, Aerosmith, Bon Jovi and Sting reach even greater heights. Even the hip hop world found room for decidedly non-gangsta acts like The Fugees, PM Dawn, Will Smith, Arrested Development and OutKast. And of course, by the end of the decade, the biggest-selling artists were bubblegum acts and boybands like NSYNC, the Backstreet Boys and Britney Spears.

Then there were the Spin Doctors.

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Career Killers: “Do You Know” by Jessica Simpson

When MTV’s Newlyweds: Nick and Jessica went off the air in 2005, Jessica Simpson had the world in the palm of her hands.

The addictive show became a pop culture phenomenon, thanks in large part to Simpson’s ditzy but endearing persona. Whether it was not knowing that “Chicken of the Sea” was a metaphor, thinking Buffalo wings actually came from buffaloes or blaming her inability to hit a golf ball on her Mae West-like features, Simpson’s simple but good-natured demeanor – to say nothing of her covergirl looks – allowed her to become a bona fide superstar while launching legions of reality show wannabes and copycats. Her then-current album, In This Skin, sold 5 million copies worldwide making it her best-selling record of all time, and she landed plum acting roles like Daisy Duke in The Dukes of Hazzard (2005). After divorcing Nick Lachey less than a year after the end of their reality show, there was nothing holding Simpson back anymore. She seemed poised to become a true double-threat, joining the likes of J-Lo, Beyonce and Cher as an A-lister on both the silver screen and airwaves.

By 2008, however, she was hanging by a thread. Thanks to poor performances and modest box office returns, Simpson’s Hollywood career was deader than David Caruso’s. Her music career, meanwhile, was also on life support – threatening to go the way of her show, marriage and sister post-SNL. So she did what many artists have tried to do: reinvent herself in order to stay relevant.

With the release of her first (and to date, only) country album, 2008’s Do You Know, she was certainly able to reinvent herself. Unfortunately, it also killed off her music career, forcing her to reinvent herself yet again — this time as an ultimately successful fashion maven.

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Career Killers: “Liz Phair”

Plenty of artists with cult followings go mainstream and become popular.

R.E.M. went from highly-regarded college band to one of the biggest and most acclaimed groups in the world. Metallica slowly and steadily built up a passionate fan base that kept growing in size and intensity until they exploded in popularity in the early 90s. Genesis established itself as a highly inventive artistic and progressive rock band before transitioning to FM superstardom.

In fact, these days, many “indie” acts are actually mainstream and do all sorts of things that bands like Fugazi and artists like Neil Young would have considered “selling out.” Allowing your music to be used in commercials, TV shows and movies? Check. Praising pop stars and being influenced by their hit songs? Check. Working with hit-making producers and songwriters? Check and check.

Yet when indie queen Liz Phair did all those things in 2003, she provoked a furious, almost personal backlash that tanked her career. Maybe she was simply a few years too early. Or maybe she was never going to succeed because the same factors that led to her rise helped keep her down.

Or maybe it was because her self-titled 2003 album wasn’t as good as it could have been.

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Album Review: “Now” by Shania Twain.

At first glance, Shania Twain seemed to have a perfect life. The gorgeous country-pop superstar and her musical partner, Robert “Mutt” Lange, seemed happily married, raising a family in Switzerland while churning out one perfect, best-selling album after another. Twain became the first (and given how much the industry has changed – probably last) woman to ever have three consecutive diamond-selling albums, and her 1997 blockbuster, Come on Over, is the best-selling album by a female solo singer.

And if wealth, success, marital bliss and physical beauty weren’t enough, her perfection was even confirmed by science. That’s right. Shania Twain was able to take the ultimate (and seemingly unattainable) subjective quality and quantify it.

Turns out, her life was pretty far from perfect. And we all found out about it in the most public way possible.

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