Hopefully they’ll start citing my “Career Killers” series more.
I’m not the biggest Billy Corgan fan, but there are times where he can be very insightful and thoughtful. For instance, in a 2017 interview with Joe Rogan, Corgan talked about how the original Smashing Pumpkins imploded and why a lot of it stemmed from the fact that he, as the main songwriter, made a lot more money than his bandmates.
According to him, one day, early in the band’s history, some record label folks took Corgan to breakfast and explained to him some of the realities of the music business. “They said: ‘Songwriters in bands make a lot more money, so our suggestion is you should share your songs with your bandmates to keep a democratic stasis.’ I was like ‘Hell no, I’m not giving them my work.'” he said. “Fast forward four years later, I’m making a lot more money than them, and that sews discontent.”
According to Corgan, being the main songwriter had another effect besides the financial — he was now seen as the genius auteur and his bandmates were seen as nothing more than his backup. “We’d get into a room with journalists and they would just talk to me. Then we would get out of the interview and the band members would yell at me for them not being asked questions,” he said. “It’s like an erosion factor. You don’t appreciate it from within, there’s a lot of compression and money and stuff going on, then one day it hollows out. And then it’s too late and you can’t just sit down and have a meeting because the wounds are too deep.”
Perhaps if he had taken a page from R.E.M.’s book, things would have gone better. When R.E.M. first started out, Peter Buck insisted on splitting the songwriting royalties equally. According to Band Together: Internal Dynamics in U2, R.E.M. Radiohead and the Red Hot Chili Peppers, by Mirit Eliraz, Buck didn’t want the band to end up like Creedence Clearwater Revival and others and recognized that this was the best way to ensure no one got the short end of the stick. Plus, in his mind, the band’s songs were just that — even though members composed songs individually, they would work together to improve them and make sure they met the band’s high standards. Other groups have taken a similar approach, including U2 and the Red Hot Chili Peppers (who write songs that arise out of group jam sessions), and Radiohead and Coldplay, where one person dominates the creative process but willingly shares credit to keep the peace.
Instead, the original Pumpkins joined a long list of bands that have split up because of songwriting royalty disputes. CCR famously imploded after the other three members got fed up with John Fogerty writing all of the songs and wanted some of that credit (and publishing money) for themselves. Levon Helm went to his grave believing Robbie Robertson had cheated him and the others in The Band out of songwriting royalties. Jane’s Addiction almost broke up before its debut album was released because of a royalty dispute. Spandau Ballet spent most of the 90s in court after three members of the band claimed they had an agreement with guitarist and main songwriter Gary Kemp to split the royalties, something Kemp, obviously, denied.
And then there’s The Go-Go’s. The band was barely hanging on by a thread by the time of its 1984 album Talk Show. A songwriting dispute proved to be the straw that broke the camel’s back.(more…)
The MTV Video Music Awards are this weekend. The only reason why I know that is because I’ve been wanting to write this column and looked up when the awards ceremony would be this year so I could post it beforehand.
That’s the extent of my knowledge of MTV and today’s music scene. I can’t remember the last time I actually tuned in to watch.
It’s easy to understand how someone like me could be so apathetic. MTV hasn’t played videos in years and doesn’t even stand for “Music Television” anymore, it’s fair to ask whether the Video Music Awards have outlived their usefulness.
It’s also a reminder of what the show used to mean. Edgier and hipper than the Grammys, the VMAs used to be mandatory viewing for anyone who liked music. Additionally, so many great, memorable and controversial moments happened on the show that you felt like you missed out if you didn’t experience it as it aired. Madonna writhing around on stage in a wedding dress. Prince giving us “Under the Full Moon” the sequel to Under the Cherry Moon that we didn’t know existed. Eddie Van Halen and David Lee Roth burying the hatchet — in each other. Kanye being Kanye. The list goes on and on.
And, of course, there have been plenty of less-than-stellar moments. Some have even managed to kill off an artist’s or band’s careers. Here are some of the biggest ones:(more…)
What was the talk of this year’s Lollapalooza festival? Was it the fact that it was the first big rock concert in Chicago since COVID-19 restrictions were lifted? Was it whether the proof of vaccination/negative test requirement for entry would be effective in preventing the show from turning into a super spreader event? (So far, it looks like it has been successful in that regard.)
Gone was the trademark red Yankees cap. In its place was a thick hat of gray hair that made people wonder whether or not it was a wig. Throw in the long grey handlebar mustache and sunglasses and he looked like he was wearing a disguise — as if he were in witness protection or something.
The consensus: He kind of pulled it off. The other consensus: Limp Bizkit were reasonably well received by attendees and live stream viewers, most of whom probably hadn’t heard of them since “Nookie.” As such, in the days following the show, the band’s back catalog saw a nice spike in sales and steaming numbers. Keep rollin’ rollin’ rollin’, indeed.
Of course, there was a reason why he seemed so unrecognizable. Once reliable hitmakers and a ubiquitous presence on MTV, Limp Bizkit has been long forgotten about and reduced to a punchline — a much maligned footnote from a bygone era when nu metal was so popular, even established superstars like Metallica tried it.
This is the album that started Limp Bizkit’s decline.(more…)
When Guns N’ Roses announced they were releasing an album of (mostly) punk covers in 1993 to tide fans over until the next original album came out, it made perfect sense. The Gunners had always been a great covers band (for my money, their rendition of “Live and Let Die” was better than Sir Paul’s and their version of “Whole Lotta Rosie” kicks all kinds of ass) and this project promised to see them return to the kind of stripped-down, straightforward rock sound that had made them famous. Given their unsteady work ethic, any record from Axl and the boys was a good thing. Meanwhile, they were so popular and big at the time that they could have farted out an album of Osmond Family covers and it would have gone multiplatinum. Surely, whatever they did wouldn’t compromise their careers and lead to a spectacular self-implosion – of which the band still hasn’t fully recovered from, right?
At 7th annual Avvo Lawyernomics, the emphasis will be on “unmarketing.”
In spite of regulations, lawyers should be bold with their advertising efforts.
Do lawyers really suck? No, and potential clients’ antipathy can be overcome.
The “magnet” of expertise draws clients, generates fees.
Here’s a link to a Storify for all of my Live-Tweets during the conference.
It was easy to dismiss Scott Weiland as a second-rate Eddie Vedder fronting a second-rate grunge band in the mid-to-late 90’s. It was easier to dismiss him as a second-rate Axl Rose fronting a second-rate Guns N’ Roses during the mid-to-late 00’s. It was, perhaps, easiest of all to dismiss him as a troubled soul whose inner demons guaranteed that he’d die a premature death and go down in history as a second-rate Jim Morrison or a second-rate Kurt Cobain.
But Scott Weiland’s talent was never second-rate. Not only was he a first-rate vocalist, he was one of the best front-men of his generation.(more…)
Call it “The Day The ‘Music’ Died.” Tuesday brought sad news for the dozens of fans who loved Shaq as a rapper (more than few people bought his debut album, which went platinum and cracked the top 40 on the Billboard 200). TMZ reports that Shaq has called time on his rap career. “Would I ever go back [to rapping?]” asked O’Neal. “No man. I’m 45 years old.”
Looks like we’ll just have our memories of MC Shaq. He can rest assured that, compared to other NBA athletes that tried to rap (Allen Iverson, Gary Payton, Ron Artest, Chris Webber, and yes, Kobe Bryant), he has had the most success.(more…)
Another one of my old favorites from my Livejournal blog. If I could add anything, it would be that the album does NOT get better with age.
I have no idea if Axl Rose is a Star Wars fan.
On the one hand, I would doubt it. After all, Axl doesn’t strike me as the kind of sci-fi nerd that would wait in line for tickets and dress up like Obi-Wan Kenobi at Comic-Con.
On the other hand, the galactic soap opera that is Star Wars could very well have served as an inspiration for some of Guns N’ Roses’ high-concept and utterly confusing videos from their heyday in the early 90’s. “Don’t Cry” showed Axl’s domestic trauma and battle against his inner demons, kind of like Anakin Skywalker’s struggle with the Dark Side and his dysfunctional relationship with his son. “November Rain” showed Axl at his happiest, only to lose everything at the end, kind of like how Anakin seemingly lost everything as he made his transformation into Darth Vader. “Estranged,” uh, showed Axl playing with dolphins. I don’t have a Star Wars parallel for that one. Maybe the Ewoks? Maybe whatever Jar Jar Binks was supposed to be?
Why do I bring up Star Wars? Because, like Chinese Democracy, the Star Wars prequel trilogy took decades to develop and produce, cost untold millions, and generated such ridiculously high expectations upon its release that there was no way the final product could ever live up to the hype. With Chinese Democracy, Axl Rose has finally released his Star Wars prequel trilogy. It only took 14 years, an estimated $13 million (as of 2005), and more band members than we can count (including two separate tenures by guitarist Robin Finck, whose contract expired twice before the album was even close to seeing the light of day).(more…)
- Former Lawyer.
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- Author of "Nixon in New York: How Wall Street Helped Richard Nixon Win the White House," published in 2018.
- Husband, father and dog-lover.
- Pittsburgh Steelers fan. Manchester United supporter.
- Chicago via Pittsburgh, New York City and several others.
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