Judge Calls $75 Trillion Damage Request in Limewire Request “Absurd”

Manhattan Federal Judge Kimba Wood Calls Record Companies’ Request for $75 Trillion in Damages ‘Absurd’ in Lime Wire Copyright Case. Not as absurd as Rebecca Black’s “Friday” – an Auto-Tuned stream-of-consciousness narrative that makes “Trapped in the Closet” seem like “A Day in the Life.” (subscription required)

UPDATE (10/26/12): I engaged in a little back-and-forth with Wikipedia over the validity of the $75 trillion figure. I managed to back up my reporting, though.

Judge Dismisses Most Claims in Suit Against Jackson Estate Over Final Tour

This is it (mostly). The plaintiffs, Allgood Entertainment were wanna be starting something by suing Jackson’s estate and AEG. Both sides were getting ready for a thriller in court, but the judge handed down a decision that plaintiffs considered to be bad. Okay, I’ll stop since I’ve had enough.

Do the Evolution – A Concert Review of Pearl Jam at MSG

Concert Review:

Pearl Jam

May 21, 2010

Madison Square Garden

It certainly seems as if Pearl Jam have mellowed in recent years. They’ve started making videos again. They’ve aligned themselves with the likes of Target, iTunes, and even the makers of Rock Band. Heck, I bought my ticket through Ticketmaster, the big, evil, corporate monster (that could get even bigger after their proposed merger with Live Nation) that Pearl Jam once accused of being a monopoly.

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Blast from the Past: Return of the Concept Album

Originally posted at: Columbia News Service. (Archived here)

Once upon a time, concept albums were hip. It was a long time ago, back when the shower curtain wasn’t the only piece of vinyl in your house, and the only CDs were the ones issued by banks. If you were bored of singing the standard pop ditties about love, cars and having fun, then concept albums were the way to go. Artists like Pink Floyd, the Who and David Bowie wrote about serious issues like war, madness and consumerism and elevated themselves as artists.

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Back to the Future – A Concert Review of U2 at MSG.

Concert Review:

U2

October 14, 2005

Madison Square Garden

It’s hard being serious all the time.

U2 realized that in 1988 after critics savaged their concert film “Rattle & Hum,” accusing the band of being pretentious and over-indulgent. It wasn’t their outspoken political views that got them in trouble. In fact one of the high points of the film was the band’s emotional performance of “Sunday Bloody Sunday” that took place hours after the Remembrance Day Bombing that killed 11 in Northern Ireland on November 8, 1987. Bono launched into an emotional rant during the middle of the song condemning the bombing and yelling “F— the revolution!”

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Celebrity Death Pools Make a Killing

Original article at Columbia News Service (archived here).

The reviews are coming in:

Looks like someone Dugg it.

Stiffs.com seemed pleased with my work. And I now write for Columbian Ewes Service, apparently. I guess. After all, Columbian Ewes need representation, too.

Elizabeth Taylor hasn’t been this popular since “Cleopatra.” The Rev. Billy Graham, who was recently ranked the most influential preacher in the world, has another No. 1 ranking – one that he’d rather not have. And Fidel Castro, after many near misses in the past, might finally accomplish this year what many have long hoped for him.

Strange as it sounds, people are rooting for them to die this year.

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There Will Be Cleavage – A Review of Rob Marshall’s “Nine”

Guido Contini is a legendary and groundbreaking Italian director who has grand plans for an epic film about his beloved homeland. The only problem is he doesn’t have a script. So, he does what any good director would do. He builds grand sets, commissions fancy costumes, runs up a huge budget, and casts big-name stars. Script? Who needs a script? The movie will write itself.

Unfortunately, in the case of Nine, the latest film from director Rob Marshall, life imitated art a little too well.

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